All the Shakespearean plays contain a consistent pattern of allegories. It was common in Elizabethan England to read works of literature, pageants, processions and plays, as containing hidden allegories. The smart audience member or reader would detect them beneath the surface ---which is why the Secret Service had State Decipherers in the theater watching for concealed messages.

Fortunately they never detected them in this play. In Midsummer Night's Dream Pyramus and Thisbe were an established allegory for Jesus and the Church, and the Wall was an allegory for the partition between Earth and Heaven--as shown in research by Professor Patricia Parker.

Now John Hudson's work shows the identity of the remaining characters and what the overall plot means.

Bottom/Pyramus= Jesus	Oberon=Yahweh the Hebrew God
Flute/Thisbe= the Church	Little ‘Indian’ boy= the real Hebrew messiah
Titania= Titus Caesar	Mr Rocky Cornerstone-= St Peter
Puck/Robin= the devil	His Votress mother= The Virgin Mary
Peter Quince- Petros Quoin	Bees= the Maccabees, Jewish rebels
The Wall= partition between earth and heaven

The fantastic plot is a comic Jewish satire in which Yahweh takes revenge upon Titus-first deceiving 'Titania' with the Flower/Gospel into falling in love with Bottom/Jesus, then administering the poison used in the Crucifixion. After the death of Pyramus which is a comic lampoon of the Crucifixion, the Play concludes with Apocalypse, the end of Christianity and establishing a Jewish New Year.

Further Reading; John Hudson 'A Midsummer Night's Dream;An Experiment in Allegorical Stagecraft ' (2008) The Shakespeare Institute, University of Birmingham.

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